“No,” answered Madge, “but I think I can guess. She hopes—or perhaps ‘fears’ would be more correct—that her husband is going to join the Cabinet, and is trying to fit herself by suddenly studying political and social questions. For a month she’s been clinging like a leech to Helen Lavery, who takes her to meetings and gatherings. I suppose they’ve struck up some sort of a bargain. It’s rather pathetic.” The painted doll that the child fancied! the paint washed off and the golden hair all turned to drab? Could one be sure of “getting used to it,” of “liking it better?” And the poor bewildered doll itself! How could one expect to make of it a statue: “The Woman of the People.” One could only bruise it.!

There was no forgetting those deep, burning eyes, though the face had changed. The thin red lips still remained its one touch of colour; but the unhealthy whiteness of the skin had given place to a delicate pallor; and the features that had been indistinct had shaped themselves in fine, firm lines. It was a beautiful, arresting face, marred only by the sullen callousness of the dark, clouded eyes. And the insincere, the self-seekers, the self-advertisers! Those who were in the business for even coarser profit! The lime-light lovers who would always say and do the clever, the unexpected thing rather than the useful and the helpful thing: to whom paradox was more than principle.

“Could I, as a child, have known an old clergyman?” she asked him. “At least he wouldn’t have been old then. I dropped into Chelsea Church one evening and heard him preach; and on the way home I passed him again in the street. It seemed to me that I had seen his face before. But not for many years. I meant to write you about it, but forgot.” He laughed and put his arm round her. “Poor little woman,” he said. “You’re looking so tired. It was jolly at the end.” He kissed her. “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.”